{"id":2182,"date":"2009-10-15T14:49:00","date_gmt":"2009-10-15T14:49:00","guid":{"rendered":"http:\/\/dev.yolandagranados.com\/crg\/in-honor-of-franco\/"},"modified":"2020-07-15T21:31:53","modified_gmt":"2020-07-15T21:31:53","slug":"in-honor-of-franco","status":"publish","type":"post","link":"https:\/\/www.congoresearchgroup.org\/en\/2009\/10\/15\/in-honor-of-franco\/","title":{"rendered":"In honor of Franco"},"content":{"rendered":"\n<hr class=\"wp-block-separator is-style-wide is-core-separator-block\" style=\"margin-top:0px;margin-bottom:0px;padding-top:0px;padding-bottom:0px\">\n\n\n\n<div style=\"height:52px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n  <div id=\"anchor-nav-position-block_5f0f75c070cf2\" class=\"c-block-anchor-nav-position o-wrapper__inner\" style=\"margin-top:0px;margin-bottom:0px;padding-top:0px;padding-bottom:0px;\">\n    <div class=\"js-anchor-nav-position\"><\/div>\n\n    <div class=\"c-anchor-nav__mobile\">\n      <nav class=\"c-anchor-nav \"><span class=\"c-anchor-nav__heading\"> <\/span><ul class=\"c-anchor-nav__links o-list-bare\"><li class=\"c-anchor-nav__item\"><a href=\"#%20\" class=\"c-anchor-nav__link \"> <\/a><\/li><\/ul><\/nav>    <\/div>\n  <\/div>\n\n\n\n<p style=\"margin-top:0px;margin-bottom:30px;padding-top:0px;padding-bottom:0px\" class=\"is-core-paragraph-block has-space-small-mb\">In honor of the greatest Congolese musician of the 20th century, Franco Luambo, who died 20 years ago this week, I wanted to give a platform to some (probably gratuitous) speculations on Kinshasa&rsquo;s streets.<\/p>\n\n\n\n<p style=\"margin-top:0px;margin-bottom:30px;padding-top:0px;padding-bottom:0px\" class=\"is-core-paragraph-block has-space-small-mb\">In 1985, Franco released what would become his greatest hit, Mario. It was a rambling, 13 minute track about a young gigolo who, despite having a god education, chose to sit around and live off his lover, a woman twice his age. Wonderful stuff, especially because there was some speculation that the maestro was really talking about Mobutu &ndash; the double entendres and oblique criticism were typical of Congolese music and Franco&rsquo;s own style of social commentary. After all, Franco could not openly insult his biggest benefactor. The Congo is full of this playful, tongue in cheek resistance.<\/p>\n\n\n\n<p style=\"margin-top:0px;margin-bottom:30px;padding-top:0px;padding-bottom:0px\" class=\"is-core-paragraph-block has-space-small-mb\">Which brings me to the gossip on the radio trottoir of Kinshasa. Earlier this year, Kofi Olomide &ndash; arguably the successor the Franco as the king of the Congolese rumba &ndash; released his new album, &ldquo;Bor Ezanga Kombo,&rdquo; which translates roughly as &ldquo;The Thing Without a Name.&rdquo; This, naturally, led aficionados quickly to infer that he was talking about none other than President Kabila, whom many Kinois still suspect of being Tanzanian, real name Hippolyte Kanambe. Hence: The Thing Without a Name. Check out the track, even if you don&rsquo;t get the words, it&rsquo;s a good show.<\/p>\n\n\n\n<p style=\"margin-top:0px;margin-bottom:30px;padding-top:0px;padding-bottom:0px\" class=\"is-core-paragraph-block has-space-small-mb\">Talking about names, for some reason Kofi has now (actually for the past 2 years) changed his name to Kofi Olomide Sarkozy. Is it entirely unclear why &ndash; I guess in 2007 there weren&rsquo;t many other charismatic western leaders to choose from. Maybe next year it will be Kofi Obama Olomide (after all, one of Werra Son&rsquo;s greatest proteges used to go by Bill Clinton (now McKintosh)). He&rsquo;s already tried Grand Mopao, Mopao Mokonzi, Papa bonheur, Papa plus, Papa fleur, Koraman, Quadra Koraman, Tati Wata, Ch&eacute;ri O, Beno&icirc;t XVI (he had to drop this last name after the Catholic church protested)&hellip;.<\/p>\n\n\n\n<p style=\"margin-top:0px;margin-bottom:30px;padding-top:0px;padding-bottom:0px\" class=\"is-core-paragraph-block has-space-small-mb\">Franco was just Franco.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>In honor of the greatest Congolese musician of the 20th century, Franco Luambo, who died 20 years ago this week, I wanted to give a platform to some (probably gratuitous)&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[30],"tags":[],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"In honor of the greatest Congolese musician of the 20th century, Franco Luambo, who died 20 years ago this week, I wanted to give a platform to some (probably gratuitous) speculations on Kinshasa&#039;s streets. 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